The novelist's prose style—elliptical, fragmented, punctuated by abrupt temporal shifts—reflected her thematic preoccupations: memory's unreliability, identity's fluidity, the impossibility of objective narration. "Every story," she declared in an interview, "is simultaneously true and false; it reveals by concealing, illuminates by casting shadows." Critics accused her of obscurantism; she responded that clarity itself can be a form of deception.